Scale Note Navigation

Updated

Originally published June 5, 2013, lightly edited for clarity.

After getting the basic geography down of where the notes of a scale are on the bass fingerboard vertical relationships using my 3 note per string box technique, we then move on to navigating the notes of the scale in more of a horizontal fashion using an exercise I call the 4 Note Bridge. In this exercise we go up and down the bass neck in different 2, 3, and 4 note string combinations (5 and 6 too for 5 & 6 string basses), exploring some really cool ways to practice navigating scale note choices. The boxes themselves come out of the number system approach to scales, where I get into why each scale note gets its own shape. Check out this video to get a peek at this effective way of getting around your bass fingerboard using scales!! Scale navigation is one of the fundamentals I teach. If you want guided practice on scale navigation across the neck, online bass lessons via Zoom are available.

  1. Triads And Bass Lines

    Theory & Harmony Intermediate 1 min read

    I used to think scales were the most important music vocabulary to work on, but the more I played the more I realized triads and arpeggios matter more. As I've said before, triads are the harmonic material of every bass line you have played or will ever play, so build your lines outward from the triad's harmonic and rhythmic core.

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